Art is no longer locked behind gallery walls.

Renowned Polish academic and art appraiser.
Former professor at the Institute of Design at the Koszalin University of Technology.
Graduate of the Academy of Fine Arts in Łódź, with dual degrees in painting, graphic design, and industrial design.
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With decades of experience in the visual arts and design, Prof. Ojrzanowski provides deep insight into artistic value, authenticity, and historical significance.

Award - winning Ukrainian artist, architect, and academic.
Professor of Fine Arts of the Republic of Poland.
Distinguished Artist of Ukraine and nominee for the Taras Shevchenko National Prize (2013).
Head of the Department of Fine Arts and Design at Vasyl Stefanyk National University in Ivano-Frankivsk.
Member of the National Union of Artists of Ukraine.

Prof. Tymkiv brings a unique international perspective on artistic evaluation, combining academic depth with real-world artistic practice.

Respected art and architecture historian with decades of institutional experience.
Former Deputy Director of the National Museum in Poznań and the Museum of the First Piasts at Lednica.
Former Director of the Museum in Koszalin.
Academic lecturer, ICOM member, and published author in museology, axiology of art, and ancient architecture.
Research fellow at both the U.S. Information Agency (Washington, DC) and the German Archaeological Institute (Berlin).

Prof. Kalinowski’s knowledge spans classical and modern art systems, museum curation, and historical authenticity - a critical voice in preserving cultural integrity.

Prof. Dariusz Markowski is a researcher at the Faculty of FineArts of Nicolaus Copernicus University in Toruń, head of theDepartment of Conservation-Restoration of Modern andContemporary Art and the Laboratory for Research andConservation of Modern Art at the Centre for Research andConservation of Cultural Heritage. He is the author of fivebooks and over 90 articles in domestic and foreign journals, aswell as a number of conservation and restoration works,conservation opinions, conservation projects and programmes,research analyses, expert opinions on the authenticity of worksof art, and research on the techniques and technologies used inworks of art.