Shares in real artworks · recorded on-chain

Provenance was always the proof. Now it is countable.

The $ARTF token is your key to the future of art.

Join the new wave of collectors shaping a more transparent, digital, and democratic art world.
Emanuel Glicenstein, Discussion — oil on canvas, symbolism
In collection
Emanuel Glicenstein
Discussion
66 × 92 cm
(26 × 36¼ in.)
Oil on canvas
100M
Total $ARTF supply
100
$ARTF to access a work
100K
$ARTF for full ownership
200K
$ARTF for Elite tier
01 / 08 — Principles

Three things that cannot be forged

Every piece is verified, archived, and secured on-chain. We do not replace the paper trail of provenance — we add a layer to it that cannot be changed after the fact.

Expertise

Signed by name

Every artwork is evaluated by our advisors — world-class scholars, curators, and appraisers guiding the artistic integrity of ARTEFACT. Each expert opinion is signed and public, not anonymous.

Digitization

A scan, not a photo

Each artwork is captured using precise ultra-HD scanning technology, resulting in a high-fidelity 3D digital representation — texture, craquelure and signature preserved in the same record.

Certificate

DCOO on-chain

Every Digital Certificate of Ownership (DCOO) includes comprehensive metadata — covering the artwork's history, technique, dimensions and provenance. The on-chain record is a continuation of provenance, not its replacement.

03 / 08 — Process

From canvas to certificate

Stage 01

Acquisition & appraisal

The artwork enters the ARTEFACT collection. An advisor from our council prepares an expert opinion on authenticity, condition and value. The opinion is signed and permanently attached to the object's record.

Stage 02

Digitization

Each artwork is captured using precise ultra-HD scanning technology, resulting in a high-fidelity 3D digital representation. Source files are archived and their checksums recorded in the certificate metadata.

Stage 03

DCOO emission

The Digital Certificate of Ownership is issued on-chain with comprehensive metadata covering the artwork's history. $ARTF holders in the qualifying tier gain access to the emission of shares in the work.

04 / 08 — Token

$ARTF Utility and Benefits

Attraction is the most powerful currency in the modern world. $ARTF transforms it into a global liquid market — where passion, ownership, and value intersect.

From 100 $ARTF
Art Collector Access
Hold 100 $ARTF to access selected digital artworks in the form of DCOOs (Digital Certificates of Ownership) and curated NFTs. Every piece is verified, archived, and secured on-chain.
From 100,000 $ARTF
Full Ownership & Physical Delivery
Unlock the right to 100% ownership of selected artworks, including physical delivery and a unique collector-grade NFT (DCOO) airdropped directly to your wallet.
From 200,000 $ARTF
Elite Art Collector
Holding at least 200,000 $ARTF qualifies you for the Elite Art Collector tier — where you may become eligible for loyalty-based community reward distributions, determined by DAO governance and platform performance.
05 / 08 — Tokenomics

Methodology of Fund Allocation

100 M $ARTF

Total supply 100,000,000 $ARTF

Treasury
51%
The most important assumption of $ARTF is to ensure stable and sustainable development.
Investors
20%
Private sale: 15% (15 million $ARTF) ·
Public sale: 5% (5 million $ARTF)
Core Contributors
19%
Core Contributors are the team involved in the creation and development of the project.
Community
10%
50% (5 million $ARTF) - AirDrop for early users and 50% in the form of incentives and rewards.
06 / 08 — Council

Our Advisors

World-class scholars, curators, and appraisers guiding the artistic integrity of ARTEFACT.

Prof. Zygmunt Kalinowski
Art Appraiser · Art Historian & Museologist

Respected art and architecture historian with decades of institutional experience. Former Deputy Director of the National Museum in Poznań and the Museum of the First Piasts at Lednica. Former Director of the Museum in Koszalin. Academic lecturer, ICOM member, and published author in museology, axiology of art, and ancient architecture. Research fellow at both the U.S. Information Agency (Washington, DC) and the German Archaeological Institute (Berlin).

Prof. Dariusz Markowski
Art Appraiser · Conservation & Research

Researcher at the Faculty of Fine Arts of Nicolaus Copernicus University in Toruń, head of the Department of Conservation-Restoration of Modern and Contemporary Art. Author of five books and over 90 articles, as well as numerous conservation works, expert opinions on the authenticity of works of art, and research on the techniques and technologies used in works of art.

Prof. Jacek Ojrzanowski
Art Appraiser · Graphic Arts & Design Expert

Renowned Polish academic and art appraiser. Former professor at the Institute of Design at the Koszalin University of Technology. Graduate of the Academy of Fine Arts in Łódź, with dual degrees in painting, graphic design, and industrial design. Provides deep insight into artistic value, authenticity, and historical significance.

Prof. Bohdan Tymkiv
Art Appraiser · Professor of Fine Arts

Award-winning Ukrainian artist, architect, and academic. Professor of Fine Arts of the Republic of Poland, Distinguished Artist of Ukraine and nominee for the Taras Shevchenko National Prize (2013). Head of the Department of Fine Arts and Design at Vasyl Stefanyk National University in Ivano-Frankivsk. Member of the National Union of Artists of Ukraine.

Prof. Tomasz Krzyżyński
Chairman of the Academic & Innovation Council

Chairman of the Academic & Innovation Council, performing institutional roles within ARTEFACT of a supervisory, strategic, and advisory nature, aimed at ensuring high methodological, organizational, and innovative standards of the project. He is a member of several national and international scientific societies, including Societas Humboldtiana Polonorum and the Polish Society of Theoretical and Applied Mechanics (Chairman), and formerly the Gesellschaft für Angewandte Mathematik und Mechanik (GAMM), the American Mathematical Society (AMS), and the European Mechanics Society (EUROMECH).

06b / 08 — Management

Management

Nikodem Stachulski
President · CEO
Art enthusiast and modern connoisseur with a bold, unconventional approach. Nikodem brings transparency, authenticity, and new investment models to the art world- challenging outdated systems with fresh ideas.
‍
With an intuitive grasp of emerging trends, he has spent the last 3+ years independently mastering the art market, without relying on traditional academic pathways.
‍
As CEO of ARTEFACT, he is building a powerful bridge between classic collecting and the disruptive potential of blockchain and digital ownership.
Robert Krasowski
Vice President
Crypto OG and early-stage investor with deep roots in the digital asset space. With a sharp eye for market trends and long-term value, Robert brings strategic insight into tokenomics, growth, and investment potential.

As one of the early adopters in the crypto space, he specializes in market analysis, portfolio strategy, and identifying opportunities that others miss- helping ARTEFACT bridge the gap between traditional art and the blockchain economy.
07 / 08 — Roadmap

ARTEFACT Roadmap

A vision built on real-world milestones — from launch to physical exhibitions.

Q2 2025 · Complete
ARTEFACT takes the stage
  • Official debut of ARTEFACT
  • Launch of the ARTEFACT platform 1.0
  • Private sale of $ARTF
  • Strategic alliance with Milan
Q3–Q4 2025 · Complete
Development strategy
  • Vesting development
  • Staking development
  • ARTEFACT DAO (Governance)
  • Real World Arts development
  • Platform 2.0 preparations
2026 · In progress
Platform 2.0 on place
  • Launch of ARTEFACT platform 2.0
  • Start of public sale of $ARTF
  • 5% airdrop for early adopters
  • Investment calculator
  • Staking & DAO governance
  • First Digital Certificates of Ownership
Q4 2026 – 2027
Platform 3.0 & beyond
  • Stock market entry preparation (CEX)
  • Integration with Uniswap DEX
  • NFT launchpad for emerging and established artists
  • First Meet-Up with the community
  • Construction of the ARTEFACT Art Gallery

Join the future of art.

Acquiring $ARTF or a share in an artwork does not constitute a guarantee of return. A share in an artwork does not entitle the holder to physical possession of the object beyond the terms defined in the emission documentation. This material is for informational purposes only and is not an offer within the meaning of applicable law, nor investment advice.